Introspection can be cruel. I have a habit of using Adobe’s collection management tools to identify and categorise the images that I like best. It is clear that I am not being critical enough. For example, I have kept 906 images so far in 2018. Of those, I have included 206 in the folder entitled “Images I really like”. I went back over the 206 images and concluded that I am being far too soft.
Now I recently judged for a club that specifies that, in a typical field of 45 entries, approximately half should be “not accepted”, no more than two or three images should get “honours, and just a few should get high acceptances. Educators call this “norm referencing”, which means your work is compared to and ranked against what everyone else is doing. The club for which I am currently judging is more gentle, and I am told I may award whatever grades are appropriate to any image that deserves it. This is called “criterion referencing” whereby something is evaluated according to how it matches with the agreed measures of success, regardless of what anyone else does.
My problem is that, even if I apply criterion referencing to my own work, I am keeping too many. My introspective gene leads me to believe that I am often keeping merely the best of a bad lot. Don’t mistake this for false modesty. I know I get some good ones, but definitely not 206/906. So, there may be fewer images in future, but better ones.
Now and then, I yield to temptation and will prefer fish and chips on a Friday night. I phone the order through, and still have a few minutes to wait when I drive up to the shop in Maungaraki to collect them. When the first image was taken, the sun was painting the small area between Matiu/Somes Island and Petone with a warm but delicate light, and the local yacht club were smack in the middle of it.
Some days later, Mary and I went to Zealandia, our local wildlife sanctuary. I was not especially successful with the birds on this occasion, but I do love the bush tracks through the area. There was birdsong all around.
I have been experimenting with various forms of long exposure and this shot was made from a little side street off the Ngauranga Gorge. As you will see, anything that wasn’t moving should be very sharp, and anything that was moving should be blurred. I tried various exposures, but the longer exposures caused the traffic to disappear altogether. I had to wait patiently for a train to cross the bridge in the foreground.
There were some interesting misty mornings which I love. This image was made from the hillside at Korokoro just above Petone railway station. The harbour was just beautifully calm.
And then there were some moon opportunities. I have an app that tells when the moon will rise, but the height of the hills across the valley adds a delay to that. There were also some clouds, but in due course, it arose.
I found a new viewpoint on the South Coast at the back of Island Bay, and had to make the most of yet another perfect night as I came back down the hill.
Then, just around the coast towards the airport, at Princess Bay, my rear-view mirror demanded that I stop and turn around to look at the mighty Kaikoura ranges across the strait. What a beautiful spot to be at sunset.
Early this week, I wandered a lesser known street in the very oldest parts of Thorndon. These are houses of similar age and style to those so much loved in Arrowtown. It really is a very pretty part of our city.
My final shot this time is one made on a camera club outing which I helped to organise. We got hard-won permission to take a convoy of cars along the coast road from Eastbourne to the lighthouses at Pencarrow to catch the setting sun. Alas, the sun hid behind a cloud bank, but it was a beautiful evening anyway.