I love the Maori concept of Tūrangawaewae. Literally, it translates as the standing place on which you plant yourself. More specifically, it is the place of special significance to you, the place of empowerment, your place in the world.
A friend recently wondered how I could keep shooting images of Wellington. The answer is both simple and difficult. It is simple in that it is where I am most of the time. It is difficult in the way that it challenges me to see it with new eyes each time I look. So this week I explore some images that I hope capture various moods of Wellington, my Tūrangawaewae.
In Evans Bay, there was a fleet of small one-person catamarans in a neat line. I learned later that I was seeing a heat in the national championships of the “Paper Tiger” class. What caught my attention apart from their neat line, was the glitter of their translucent sails against the dark green of the bush.
Last week, I spent of lot of time discussing aspect ratios. The long line of yachts demanded a long narrow treatment and I had to crop downwards to avoid the suburbia above. I wanted the attention to be on the yachts.
We had received notification at home of a planned power outage. It seemed that some poles, insulators and cross members need replacing. In the week prior, poles were laid on the ground, and a fleet of specialised trucks assembled. On the day, the crew were afflicted with a wind gusting around 50 km/h. They went ahead anyway. I regard these guys as heroes, strapped to poles amidst a swinging tangle of high-voltage wires. I tried to get as many of them in frame as possible but could get no more than a third of the crew,. I wish I could have captured the way everything was swinging in the wind.
My younger daughter showed me the place where she works, and I was delighted to catch this previously unseen view of The Terrace in Wellington. The Terrace is a street of corporate offices where I used to work before the years of academia. Unfortunately I didn’t have a camera with me, so had to make do with the iPhone 7 which I rarely use as a camera. As they say, the best camera in any situation is the one you have with you.
It’s always an occasion of great joy when any of our family come to stay. David and Rowena came from Brisbane with Grace and Isaac, and it was my task to collect them from the airport. Inbound flights from Brisbane tend to arrive at around 00:30 so I decided to capitalize on the still night by making some night shots. This shot was made from Shelly Bay on the Eastern side of Evans Bay. Night shots are fun, but in my opinion, require a sturdy tripod and a remote trigger. I knew I would need a long exposure, but with the lovely crescent moon in the sky, I had to compromise as it moves quite a long way in a short time. This image was made with the shutter open for 64 seconds which was a bit too long, but on the whole, I almost got away with it. Do click to enlarge to see the detail on the water
The same night, I went up to the lookout platform on Mt Victoria. The reflections tell how relatively still the night was. The image might give some sense of why this city is so special to me.
A day or two later, I was in Oriental Bay and noted the splash of bright colour across the bay. The tug boats Tiaki and Tapuhi have maintained the tradition established by their three predecessors of a bright red colour scheme. And then, behind them was the red brick of the former harbour board offices, now upmarket apartments. Above them to the right is the parliamentary library building, and above and centre is the Cathedral of the Sacred Heart, currently closed for remediation of seismic risk factors. This image was given the horizontal chop treatment to emphasise the strong lines of the buildings.
I mentioned at the beginning, a place on which to stand. It’s always nice to find a new one. As I was leaving Lyall Bay, I went up Hungerford Rd and spotted a sign that referred to a walkway. I parked and followed it to the top of Te Raekaihau Point which is the Western tip of Lyall Bay. I just loved the view along Houghton Bay to Taputeranga Island which is the centrepiece of Island Bay. In the very far distance, 130 km away, the summit of Tapuae-o-Uenuku can be seen peering above a solid cloud bank. I shall visit here again in different light and different weather. The ferry Kaiarahi is in the distance, inbound from Picton.
The family went to the Marlborough sounds for a few days and I volunteered to collect them from a late-evening ferry. Once more it was a reasonably still night, so I set out to have time to make images. I had shot some from Petone Beach looking to the harbour entrance and was coming back to the car when I spotted the light of the setting sun on the Hare’s-tail grass. I set the camera on its tripod so as to catch the sun at the level of the seed heads and was pleased with the result. I have been agonising over whether to get rid of that rogue stalk.
A few moments later from a little further along the beach, the view across the harbour called for a further record of the sunset. It’s a well-worn path, but each time I see a scene like this, I try to see it as a new event to be seen in a new way.
I had some photographic fun at the ferry terminal, catching the comings and goings of various vessels, until at last the Aratere came round Point Halswell and began to position itself to reverse into the berth. By now it was well past twilight and I had to boost the ISO setting all the way to 2500 to catch this shot. Since the vessel was still moving at a fair clip, I could not use a long exposure and stretched my luck at 0.4 seconds without too much motion blur. I enjoyed the reflections on the water, but am baffled by the vertical green streak. I presume that it must be from the starboard navigation light, but the light itself is obscured by the superstructure. Nevertheless, I’ll take it since it adds to the pleasure of the arrival.
That’s all this time. As always your feedback is welcome.