When I left you last week, I had just completed the trip to Pencarrow Lighthouse with the camera club. What I didn’t tell you is that as I came back across the Hutt estuary to Petone, I saw some delightful reflections on the river. I parked across the road and crossed back to the edge of the bay where there is a walkway that drops down beside the water and then under the Waione St Bridge. There was no moon, but lots of spilled light from the road and nearby businesses so, with one eye on the view and half an eye on the track I set out to get the picture. Then there was nothing beneath my feet, and I was suddenly reenacting Alice in Wonderland: “Alice had not a moment to think about stopping herself before she found herself falling down what seemed to be a very deep well“* I came to a sudden stop, wedged to my waist in a hole where the path had been scoured out by recent rain. And I do mean wedged. I was firmly caught between the collapsed bank and the wooden edging strip. When my elder daughter heard about it later, she sent me the image of Winnie the Pooh (inset below in the picture of the hole)

There was no other person nearby and I was trapped below the level of the adjacent road out of sight of passing cars. I heard my camera and tripod crash a metre or so to the rocky beach below. It took me a good five minutes of wriggling and squirming to get a toe-hold in the edge of the hole and then to do a caterpillar-squirm back to the path. After checking that there was nothing more serious than a few grazes and shaken nerves, I clambered over the edge, down to the beach to retrieve my camera which was, astonishingly, undamaged. I took the picture of the hole on my iPhone and sent it to the council who, to their credit, repaired it the next day.

Then I made the image that I had seen in the first place. It wasn’t as good as I envisaged, but it was an adventure.

There were some good days and some that were less so in the days that followed. I always hope that when I look across Oriental Bay, the cityscape will tell a new story. Certainly the city looked as if it were washed clean, and the dear old Hunter Building is a jewel in the centre of the picture.

On the less comfortable days, or if it was raining, I tried some still life. I struggle with Anthuriums but this time used a new feature provided by a firmware upgrade to my camera … it makes up to 8 exposures each focused a little further back and then produces a composite using only the sharp bits. I spent my entire career in computing but can’t imagine how they achieve this.

Mary and I went up to Otaki Gorge and she set out for a brisk walk while I took my shoes and socks off and rolled my jeans up and trod gingerly into the stony river which was very cold. No disasters occurred, though my feet got very cold.

A day later, at Pauatahanui, I spotted this white-faced heron apparently conducting classes, or perhaps fomenting rebellion, while facing a neat parade of pied stilts. The ones in the back rows seemed less interested.

My car was in the dealership getting a new wheel bearing fitted, so I wandered around central Lower Hutt filling in time. The morning sun caught our house on the hill above, and since it has been home for 37 years and is currently for sale I thought I’d catch it too. That’s us, the white one third from the left. As you can see, my bedroom window top left on the front of the house has no obstacles to the view.

It seems every region has its cliché subject. Wanaka has its tree, Milford has Mitre Peak, and Greytown has its shed. It’s always hard to resist the idea that maybe this time, the light, the season, the surrounding field will make the picture better than the last two dozen times I tried.

Driving into the city on the old Hutt Road, as I passed under the flyover near the ferry terminal, I saw a splash of colour in the rail yards. It was a set of the now obsolete Hungarian Ganz-Mavag commuter units. They had been thoroughly vandalized with spray cans. I detest all forms of graffiti, and though there is a great deal of talent out there, I would respect it more if they painted on a surface that they owned themselves and could perhaps sell to pay for the next one. As I understand it, the Greater Wellington Council still own these units, and their intended sale to other countries has been stalled by the discovery of asbestos in them.

We have had the most stunning summer in living memory, and are now in a quite rapid transition to a colder wetter state. So far, though, there have been a good number of those days where the sky is full of drama but the wind stays away. I love those days, especially when the light plays nicely on the city’s many reflective surfaces.
That will do for now. See you next week, barring any further holes in the ground.
*Alice in Wonderland, by Lewis Carroll
4 replies on “March 24, 2018 … suffering for my art”
Lucky neither you nor your equipment was damaged – could have been far worse.
I was intrigued by your reference to a firmware upgrade allowing eight image photo stacking. What camera was this?
Peter, the camera I was using was the Olympus OM-D E-M5 II but almost all advanced digital cameras have regular firmware upgrades to cure known deficiencies or enhance functionality, Most notable on this regard is Fujifilm whose upgrades regularly expand the capability of the camera. Many brands have firmware in individual lenses and they need to be upgraded periodically too. The big guys like Canon and Nikon do it too. Google firmware upgrade for your model and I would guarantee that if you are still using it as it came out of the box there are several releases since, There are risks associated with the upgrade process so please go to your manufacturer’s website and read the instructions carefully, especially the one that says “do not interrupt the process”. Of course, upgrades are not mandatory, so if you are happy without the purported enhancements, just keep taking pictures. regards, Brian
Thanks, Brian. I asked because I have a focusing stage to do just this – using a Canon macro lens – and hadn’t heard of a camera able to do it without additional gear. Setting mine all up is quite a business (too much to do away from home). I do the stitching together in Photoshop. Yours sounds a much more straightforward solution!
Be careful and keep your eyes down, as well as ‘up’ when looking for that shot. Bless you Brian, your work is appreciated across the global be!